Power of the Editorial Sense

Power of the Editorial Sense

The sense of smell, as I realised while preparing to moderate the Global Fragrance Summit last month, is one of the most powerful of the senses. It not only evokes memories and shapes emotion but also lowers stress. However, it is also one of the most under-appreciated.

Preparing to moderate this event, as well as many recent engagements made me reflect that there is another sense that is also powerful but underused – the editorial sense.

It is a sense that is particularly useful when designing an event and vital when briefing a professional moderator. A professional moderator brings many skills to the table from stage/screen presence to an ability to engage with the audience and keep an event to time.

But if you want a professional panel moderator to steer the discussion, bring out insights from the speakers and to ensure the success of your event, you need to give them an in-depth editorial briefing as they are not subject experts.

Briefing a professional panel moderator

Before you have a briefing call with the panel moderator, send them a briefing document to read beforehand so they can ask informed questions. Often, all I am given is the draft agenda which has the title of the panel and sometimes if online a couple of explanatory lines.

Furthermore, the title is often too broad and lacks focus, such as the triple planetary crisis or the just energy transition. It should ideally include a question such as how do we ensure that the energy transition is fair and equitable for the rural poor?

A well-structured briefing document should include:

Event purpose: Why are we holding this event? What do we want to achieve?
Panel discussion objective: Define the objective of the panel discussion. Is it to share best practices, introduce new tools and techniques, find solutions to a pressing problem, build relationships, or hear different perspectives on a common challenge.
Topic, premise and title: Identify a topic that is top of mind for the audience, for example Artificial intelligence and a premise – a proposition or assertion such as AI the unintended consequences. Then you have to find an intriguing title – AI – the case for a global system of governance or who should regulate AI?
Key discussion questions: Clearly outline the key questions the panel will address.
Speaker overview: Identify speakers, explain why they were selected and outline their views on the theme.
Narrative structure: Define the planned and organised flow of the conversation that the panelists will have during the event. As detailed in a previous blog, the narrative structure involves creating a coherent and engaging flow of topics that guides the discussion from the beginning to the end. This structure is designed to ensure that the panel covers key points, addresses the main objectives of the discussion, and maintains the interest of the audience.
Content of keynote speeches: Clarify what keynote speakers or presenters will cover before the panel discussion. This is important so that the panel doesn’t repeat what has already been said but builds on it.

Role of guiding questions

Guiding questions for each speaker are always useful. However, these should not be written, as is often the case, in policy or corporate speak, as the moderator has to make them their own. Keep in mind that the panel is a conversation, not a lecture.

Similarly, these questions are often written as If the moderator will ask a series of questions to one speaker before moving on to the next speaker. This is not a panel discussion but an interview. The moderator’s responsibility is to structure the discussion so it has editorial coherence bringing in the right speaker at the right time.

And keep in mind that once you have drafted the briefing document and shared with the moderator, the next step is to facilitate communication between the professional moderator and speakers. Their editorial sense will come into play, constructing a dynamic panel discussion that aligns with objectives and captivates the audience with both insight and entertainment.

If you would like to book Claire to moderate at your event, learn how to moderate yourself, or hone your public speaking, speechwriting, storytelling or media interview skills, contact me here or link in with me!

Is ChatGPT Valuable for Public Relations Professionals?

Is ChatGPT Valuable for Public Relations Professionals?

Last month I ran a communications workshop for a regular client on a remote German island in the Baltic Sea for environmentalists from Eastern Europe and Central Asia.

For many years I have taught them the art of drafting a press release – a useful skill for simple, clear and concise writing in general.

This year though a participant sprang a surprise. He and his group decided to ask ChatGPT to write the press release. Have a look here and see how they went about it.

The results of the press release experiment

You can see he asked the right questions in terms of newsworthy content and style – simple with a conversational tone for the quotes. The headline is good but the opening paragraph should start with the name of the NGO and is too wordy. In general, the text needed sharpening, the quotes were too lengthy and the inclusion of a list of points made it read more like a report than a press release. A release should flow smoothly and ideally not exceed 500 to 750 words.

What does this tell us about using ChatGPT for press releases?

You have to know which questions to ask, keep asking Chat GPT to refine the text and even then, you still need some human intervention (at least for now) whether editing or writing new material. Bullet points for example are an inappropriate format.

You also have to double-check the content because ChatGPT is known to be only 75 percent correct. Imagine sending out a press release in which 25 percent of it was factually inaccurate – not good for your brand!

Uses in PR

PR professionals tell me that “it is no longer a curiosity, but a tool they use regularly.”

They use it not only for writing press releases writing but also for social media posts, tweets (or is that X’s?), pitches, and fundraising text. It can even generate emojis.

If you are subscribed to a media distribution platform like Meltwater, you will find that they have created a plug-in to ChatGPT. Although they are oddly coy about this and prefer to call it a PR assistant who helps you craft the perfect pitch or press release!

Testing the waters

I tested this out with a friend who is a Director of Communications. We gave it messages on skills shortages and mismatches in global labour markets. We told it the length and selected one from four tone options – professional, concise, persuasive and enthusiastic. We went with persuasive.

Within seconds it came up with a press release that met the 75 percent accuracy rule but contained factual errors and irrelevant information. But the biggest issue was its inability to generate a hard enough news angle – a systematic problem I am told.

Lessons for ChatGPT generated press releases

• Understand what you are looking for i.e., the format and elements of
a press release
• Be prepared to ask more questions to get the output you require
• Provide as much information and as specific commands as possible
• Recognise that Chat GPT’s version is only a first draft. You will
have to sharpen the news angle and remove redundant words and
sentences.

Finally, I have two questions for you:

1. Am I out of a job as a media writer trainer?
2. Do you think this blog was solely written by me or with the help of ChatGPT?!

The Unexpected Panel

The Unexpected Panel

After the summer break, we are now back in the world of webinars, hybrid and in-person events.

I am being asked to moderate panel discussions – sometimes four or five consecutively on the same day – each with far too many people to have a real discussion. And if they are discussions and not “panel presentations”, they are far too scripted, predictable, and tell the audience little if anything they didn’t already know.

Audiences tell me that most panels are pointless. I would agree unless they are well-moderated, audience-centric, and have the right speakers for the subject.

It was therefore a joy in June to see a wonderfully moderated panel discussion at the Better Cotton Conference in Amsterdam where I was the Master of Ceremonies.

Hats off to Antonie Fountain from the Voice Network and Ashlee Tuttleman from the Sustainable Trade Initiative for leading a dynamic and innovative session on sustainable livelihoods. Here is what they did so well:

• Antonie showed that you can take a serious subject and make it engaging. Through great use of simple visuals (slides for example with one word on them) plus video clips from Monty Python and Indiana Jones, he gave us a captivating keynote about the lessons learned from the cocoa industry in building more sustainable livelihoods.

© Dennis Bouman – Contact before commercial use


• He and Ashlee then kept up the pace and energy by running a 20-minute quiz on Mentimeter for the online and in-person audience in which they debunked five myths about sustainable livelihoods.

© Dennis Bouman – Contact before commercial use


© Dennis Bouman – Contact before commercial use

They went into the audience and engaged with them about their answers.
• And then the “piece de resistance”. They asked the three winners of the quiz to come on stage for an impromptu panel discussion.

© Dennis Bouman – Contact before commercial use

• The panelists were great, proving that often the real knowledge lies with the audience!

In fact, the 2-day conference was packed with variety and different formats to keep the audience engaged, and most importantly entertained. As you can read here, they also elevated their event by engaging a graphic artist.

If you are running an event or panel discussion, I would be delighted to advise on how to make it something that the audience will always remember. I can also train your teams to moderate and MC, in case you don’t want to employ a professional moderator!

Elevate your event with a graphic recordist

Elevate your event with a graphic recordist

Many of us are visual learners and images definitely aid recall. So, it is surprising that not more event organisers engage graphic recordists.

They visually map conversations illuminating what is essential in real-time.

“People learn by looking and reading and they will remember things better if all of the senses are engaged”, says Carlotta Cataldi – who for the past 13 years has been bringing ideas alive visually at conferences and meetings.

Carlotta draws on paper, on what is called a knowledge wall, as well as digitally.

Having worked with her twice over the past few weeks at events where I was Master of Ceremonies, I saw how deeply she listens, and how rapidly she visualizes complex concepts.

She has developed her own language – bees represent a cross-pollination or cross- fertilization of ideas, a thermometer refers to rising heat in cities, while wellbeing is visualized not as a coin i.e. money but as a jewel.

For the audience there are multiple advantages. It helps keep their minds focused on the content of the discussions. It helps to animate conversations, and provides them with an engaging visual summary of conference discussions to share with colleagues and on their social media channels.

A resource for organisers and the Master of Ceremonies

As a Master of Ceremonies or panel moderator, you are trying to bring clarity to the conversation in real-time. Carlotta goes one step further and turns that clarity into something visual – a mix of images and key messages.

It is, however, a team effort. I always introduce the graphic recordist to the audience at the start of an event and then, depending on time, I bring them in before coffee breaks and lunch and at the end of the day.

Sometimes, I may even ask the recordist to join me on stage to tell us what was important for them in the conversation. Each time, I am encouraging the audience to go and see what the recordist has done as this reinforces engagement.

At an event for Better Cotton last week where I was the Master of Ceremonies, we went one step further and encouraged the audience to write their insights or questions on post-its and tell us if anything was missing from the board or anything they wanted to draw.

Organizers can often underestimate an audience’s need to be entertained and to participate in the conversation. Engaging a graphic recordist is a great way to ensure audience participation and make the event is more audience-centric and memorable. The images also are a great resource for post-conference reports and can be digitalized for use in PowerPoint presentations and webinars.

“I love my profession”, says Carlotta, “as it brings beauty and natural curves, a human touch to a business event.”

Claire Doole runs workshops on how to organise events and moderate panel discussions.

What Makes a Great Master of Ceremonies?

What Makes a Great Master of Ceremonies?

As soon as the sound failed in the opening video, I knew the conference would be rock and roll. Fortunately, I had insisted on an earpiece. I told the hastily assigned director to put the video volume up and he subsequently told me in my earpiece when the last-minute replacement for the opening speaker had entered the room. In fact, he arrived too late to start the conference. It was just as well that I had minutes beforehand lined up the second speaker to open it.

And that is how the day went, constantly adapting the programme when speakers didn’t turn up, physically changing the number of chairs on the stage before each session and repeatedly checking the number of available microphones and whether they worked.

In theory, acting as the Master of Ceremonies,(MC) is less work than moderating panel discussions, which take a lot of preparation to do well. An MC’s job is to make sure the event goes smoothly, linking the sessions and speakers and engaging the audience.

But if there has been no technical rehearsal the day before, and the team is a team of experts in their field but not in organising events – a situation I often face – the MC can find themselves in charge of a salvage operation – papering over the editorial and logistical cracks on the day as best they can.

So, here are my top tips for event organisers on what to look for or do when engaging a Master of Ceremonies:

• Bring in the MC a couple of months beforehand. An MC can advise on the event flow editorial narrative and how to make the programme interactive and varied. As I have said before, it is hard to manage the audience attention span when there is one speech or presentation after another, often with no editorial coherence or one-panel discussion after another, which has the same format. (See my blogs on panel moderation here)
• Brief the MC on the overall purpose of the event, each session’s objectives, and the speakers’ rationale and structure so he or she can clearly communicate this to the audience. The MC is there to serve as a thread linking the content throughout the event.
• Make sure the MC is concise and compelling in his/her remarks. Audiences don’t like verbose MCs that take up too much space. The role is to facilitate, not dominate!
• Engage an MC who can weave a narrative through the event, clearly connecting the speakers and themes of different sessions.
• Check that the MC can improvise when faced with technical challenges or unexpected changes to the programme. Broadcast journalists are usually adept at this as they are used to keeping the show on the road.
• Engage someone with great time management skills as audiences appreciate an event that is kept on track and to time.
• Hire an MC who can handle questions from the audience with aplomb. They must be encouraging yet control the situation if the question is unclear, too long or not a question but a long-winded comment.
• Search for an MC with high energy levels, an ability to connect with the audience and a sense of humour. The latter is particularly important when faced with technical gremlins, speakers that go over time or audience members who can’t ask concise questions.
• Organise a technical rehearsal the day before the event, as anything that can go wrong will go wrong (Murphey’s Law).

Once, a jury member at an awards ceremony I was hosting was on the verge of announcing the winner – not realising that his role was to only talk about the selection process and that it was the European Commissioner – sitting in the front row – who would do the honours.

Fortunately, I managed to stop him before he named the winner – and the award (unlike at that infamous Oscars ceremony) was given to the right person at the right time!

If you would like advice on organising an event, do get in touch, as I run in-person and virtual workshops to ensure your event is engaging and insightful.